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Author: Kaustav ChakrabortyEditor: diplom.deISBN: Size: 16,63 MBFormat: PDF, ePub, DocsRead: 388Stereotypes are mere 'pictures in our heads'. Prejudice and suspicion against all that is perceived of as ‘different’ give rise to cultural stereotypes. Creating stereotypes also involves connecting the created categories with values, equipping the categories with an ideational label. Thus, stereotypes often contain the presupposition that one’s own group represents the normal, or even universal and that one’s own culture and ist socially construed concepts of reality is superior and normative in relation to other cultures and world-views. The stereotypes are not just one person’s private attitude but are always shared with a larger socio-cultural group. Stereotypes result in simplifications that prevent people from seeing the ‘otherized’ individuals as they truly are. This book, aims at transgressing the boundaries of the strategically generated stereotyped image of a homogenous Indian culture.

Rather, by highlighting the marginalised issues related to class, caste and gender, this book, by citing examples of select Indian literary and cinematic representations, argues that the stigma related to the non-conformist /alternative/minority identities, is baseless and fraudulent. Author: Courtney C. CoileEditor: Brookings Institution PressISBN: 000Size: 13,21 MBFormat: PDF, ePub, DocsRead: 528The economic downturn that began in 2008, the most severe in decades, has hit older Americans hard. Many have seen huge losses to their 401(k)s. In numerous cases the value of homes—the largest investment most older Americans have ever made—has diminished considerably. In addition, large numbers of American workers, including those 50 and older, have lost their jobs and may have difficulty replacing them. Suddenly the future seems a whole lot less certain, throwing years of planning into doubt.

In Reconsidering Retirement, economists Courtney Coile and Phillip Levine go beyond the headlines to explain how the economic crisis will affect the future plans and well-being of older Americans. Amid well-publicized reports that older workers needed to stay on the job because of the crisis, the number of U.S. Workers claiming Social Security retirement benefits actually rose substantially from 2008 to 2009.

The authors maintain that job loss has been the culprit, leading to premature retirement, and while this trend may have been less noticed, it is perhaps the more significant outcome of the crisis. Coile and Levine examine the three major characteristics of the recession thought to influence retirement behavior: decline in the stock market, reduced housing values, and a weak labor market. The authors find that lower home prices did not actually affect retirement behavior but that the decline in the stock market did lead some workers to delay retirement, while a weakened labor market actually forced more older workers with fewer skills into retirement. As a result, these early retirees, who rely on Social Security, face a lifetime of lower benefits. The legacy of recessions is that those most in need usually are last to reap the benefits of an economic recovery. While the lion's share of media coverage after the economic downturn of 2008–09 has gone to the plight of older workers who remain employed, Courtney Coile and Phillip Levine examine the effects of the economic crisis on all workers approaching retirement age. Some of their findings are counterintuitive and will surprise many analysts and readers.

In particular, they shine a light on lesser-skilled workers forced into early retirement—a number estimated at 378,000 workers. These workers will be forced into early involuntary retirement, drawing from Social Security sooner and receiving lower retirement income. This important book provides a complete picture of older workers today, how they will transition into retirement, and what we can do to assist them as the recession persists. Author: Patricia A. AlexanderEditor: Prentice HallISBN:Size: 16,91 MBFormat: PDFRead: 348This book introduces future educators and researchers to several different psychological perspectives and uses these perspectives to introduce key issues such as knowledge acquisition and transfer, strategic process, and student motivation. As an editor and reviewer of the top journals in the field, the author is able to present the latest research in language that is accessible and understandable.

Unlike other books that are organized around theoretical topics valued by psychologists, it is organized around education problems and issues deemed important by educators. Author: R Paul SymondsEditor: Elsevier Health SciencesISBN: Size: 18,20 MBFormat: PDF, ePub, DocsRead: 683A comprehensive textbook of radiotherapy and related radiation physics and oncology for use by all those concerned with the uses of radiation and cytotoxic drugs in the treatment of patients with malignant disease. Walter & Miller's Textbook of Radiotherapy has become the core text for therapeutic radiography students and an important introductory text for trainee radiologists and clinical physicists. The book is divided into two parts: the first covers underlying principles of physics, and the second is a systematic review by tumour site concentrating on the role of radiotherapy in the treatment of malignant disease and setting its use in context with chemotherapy and surgery. The 7th edition continues the tradition of bringing the physics and clinical application of radiation for therapy together at entry level and is completely revised to take into account the huge technological advances in radiotherapy treatment since publication of the previous edition.Imaging is now an essential part of radiotherapy, relevant for both the treatment and preparation of a patient's treatment.

Radionuclide imaging and X-ray imaging have been expanded to MRI and PET, along with some use of ultrasound.Treatment planning dose prediction - the basis and application of modern computational calculations are explained for modern treatment delivery systems. The role of the algorithm for dose prediction is central to ensure speedy and accurate calculations for treatment.Quality Control.Quality Systems The book is supported by Evolve electronic resources: sample plans, additional diagnostic images and clinical photographs.

Nicole Rothschild( m. 1994; div. 1998)Children2Dudley Stuart John Moore, (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer.Moore first came to prominence in the UK as one of the four writer-performers in the comedy revue from 1960, and with one member of that team, collaborated on the television series. The worked on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.His solo career as a comedy film actor was heightened by the success of hit Hollywood films, particularly (1978), (1979) and (1981). For Arthur, Moore was nominated for the and won a.

He received a second Golden Globe for his performance in (1984). Moore (left) in Beyond the Fringe, c.

1963, a graduate of Wadham College, Oxford recommended Moore, his jazz bandmate and a rising cabaret talent, to producer Robert Ponsonby, who was putting together a comedy revue entitled. Bassett also chose. Moore then recommended Alan Bennett, who in turn suggested Peter Cook.Beyond the Fringe was at the forefront of the 1960s UK, although the show's original runs in Edinburgh and the provinces in 1960 had had a lukewarm response. When the revue transferred to the in London, in a revised production by and, it became a sensation, thanks in some part to a favourable review. There were also a number of musical items in the show, using Dudley Moore's music, most famously an arrangement of the which resists Moore's repeated attempts to bring it to an end.In 1962 the show transferred to the in New York, with its original cast. President attended a performance on 10 February 1963.

The show continued in New York until 1964.Partnership with Peter Cook When Moore returned to the UK he was offered his own series on the, (1965, 1966, 1970). It was commissioned specifically as a vehicle for Moore, but when he invited on as a guest, their was so notable that it became a permanent fixture of the series. Cook and Moore are most remembered for their sketches as two working class men, in macs and cloth caps, commenting on politics and the arts, but they also fashioned a series of one-off characters, usually with Moore in the role of interviewer to one of Cook's upper class eccentrics.The pair developed an unorthodox method for scripting the material, using a tape recorder to tape an ad-libbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script, so they often had a set of cue cards. Moore was famous for ' — the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. The BBC much of the series, though some of the soundtracks (which were issued on record) have survived.In 1968 Cook and Moore briefly switched to for four one-hour programmes entitled; however, they were not as critically well-received as the BBC shows.On film, Moore and Cook appeared in the 1966 British comedy film, before co-writing and co-starring in (1967) with. The film was directed.

The pair closed the decade with appearances in the ensemble caper film and 's, based on the play by and.In 1968 and 1969 Moore embarked on two solo comedy ventures, firstly in the film 30 Is a Dangerous Age, Cynthia and secondly, on stage, for an Anglicised adaptation of 's Play It Again, Sam at the in London's. Moore (right) with in 1974In the 1970s the relationship between Moore and Cook became increasingly strained as the latter's alcoholism began affecting his work. In 1971, however, Cook and Moore took sketches from Not Only.But Also and Goodbye Again, together with new material, to create the stage revue Behind the Fridge. This show toured Australia in 1972 before transferring to New York City in 1973, re-titled as Good Evening. Cook frequently appeared on and off stage the worse for drink. Nonetheless, the show proved very popular and it won and.When the Broadway run of Good Evening ended, Moore stayed on in the U.S.

To pursue his film acting ambitions in Hollywood, but the pair reunited to host on 24 January 1976 during the SNL first season. They performed a number of their classic stage routines, including ' and 'Frog and Peach', among others, in addition to participating in some skits with the show's ensemble.It was during the Broadway run of Good Evening that Cook persuaded Moore to take the humour of Pete and Dud farther on as. Circulated copies to friends in the music business and the popularity of the recording convinced Cook to release it commercially as (1976).

Two further 'Derek and Clive' albums, (1977) and (1978), were later released. The latter was also filmed for a documentary,. In the film it is clear tensions between the two men were at a breaking point, with Moore at one point walking out of the recording room singing, 'Breaking up is so easy to do.' In 2009, it came to light that, at the time, three separate British police forces had wanted them to be prosecuted under obscenity laws for their 'Derek and Clive' comedy recordings.The last significant appearance for the partnership was in 1978's, where Moore played to Cook's, as well as three other roles: in drag; as a one-legged man; and at the start and end of the film as a flamboyant and mischievous pianist. He also wrote the film's score. Co-star described it as 'the most outrageous film I ever appeared in.

There was no magic. The film was not a success critically or financially.Moore and Cook eventually reunited for the annual American benefit for the homeless, in 1987, and again in 1989 for a British audience at the benefit.Moore was deeply affected by the death of Cook in 1995, and for weeks would regularly telephone Cook's home in London, just to hear his friend's voice on the telephone answering machine.

Moore attended Cook's memorial service in London and, at the time, many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist in organising a two-day salute to Cook in Los Angeles that Moore co-hosted with Lewis.In December 2004 the television station in the United Kingdom broadcast, a TV film dramatising the relationship between Moore and Cook, although the principal focus of the production was on Cook. Around the same time the relationship between the two was also the subject of a stage play called by Chris Bartlett.

For this production Moore is the main subject. Set in a chat-show studio in the 1980s, it focuses on Moore's comic and personal relationship with Cook and the directions their careers took after the split of the partnership.Music During the 1960s he formed the Dudley Moore Trio, with drummer and bassist Pete McGurk. Following McGurk's suicide in June 1968, Peter Morgan joined the group as his replacement.Moore's admitted principal musical influences were.

In an interview he recalled the day he finally mastered Garner's unique left-hand strum and was so excited that he walked around for several days with his left hand constantly playing that cadence. His early recordings included ', 'Lysie Does It', 'Poova Nova', 'Take Your Time', ', 'Sooz Blooz', ', 'Sad One for George' and '. The trio performed regularly on British television, made numerous recordings and had a long-running residency at Peter Cook's London nightclub, the. Amongst other albums, they recorded, Dudley Moore plays The Theme from Beyond the Fringe and All That Jazz, The World of Dudley Moore, The Other Side Of Dudley Moore and Genuine Dud.Moore was a close friend of record producer and played piano (uncredited) on the 1969 single 'Broken Hearted Pirates' which Gunning produced for. In 1976 he played piano on 's album, in particular on the song The Sun Began to Rain.

In 1981 he recorded Smilin' Through with Cleo Laine.He composed the soundtracks for the films (1967), 30 Is a Dangerous Age, Cynthia (1968), (1968), (1969), (1978) and (1982), among others.Later career in film, television and music In the late 1970s Moore moved to, where he had a supporting role in the hit film (1978) with. The following year saw his breakout role in 's, which became one of the and gave him an unprecedented status as a romantic leading man. Moore followed up with the comedy film!, which was not a major success.In 1981 Moore appeared in the title role of the comedy, an even bigger hit than 10.

Co-starring and Sir, it was both commercially and critically successful, Moore receiving an nomination for Best Actor, whilst Gielgud won the Best Supporting Actor Oscar for his role as Arthur's stern but compassionate manservant. Moore lost to (for ). He did, however, win a Golden Globe award for Best Actor in a Musical/Comedy. In the same year, on British television, Moore was the featured guest subject on.His subsequent films, (1982), (1983), (1983) and (1984) were only moderate successes, but he had another hit in 1984, starring in the directed, co-starring. This won him another Golden Globe for Best Actor in a Musical/Comedy.Later films, including (1984), (1985), (1987), a sequel to the original, (1990), (1992) and an, were inconsistent in terms of both critical and commercial reception.

(1961) – Piano accompanist (uncredited). Flatland (1965) (short) – A Square (voice). (1966) – John Finsbury. (1967) – Stanley Moon. (1968) – Rupert Street.

(1969) (aka Those Daring Young Men in Their Jaunty Jalopies) – Lt. Barrington. (1969) – Police Sergeant. (1972) – Dormouse. Saturday Night at the Baths (1975) – Himself – in theater audience (uncredited). (1978) – Stanley Tibbets.

(1978) – Doctor Watson / Mrs. Ada Holmes / Mr. Spiggot / Piano Player. (1979) – Derek.

(1979) – George Webber. (1979) (TV) – Himself – Special Guest Star.: 'It's About Time' (1979). (1980) – Harvey Orchid / Herschel. (1981) – Arthur Bach. (1982) – Patrick Dalton.

(1983) – Saul Benjamin. (1983) – Jason Carmichael. (1984) – Claude Eastman. (1984) – Wylie Cooper. (1984) – Rob Salinger.

(1985) – Patch. (1986) – Narrator (English version, voice). (1987) – Dr. Jack Hammond / Chris Hammond.

(1988) – Arthur Bach. (1989) – Himself ('Miss Piggy's Hollywood' segment). (1990) – Emory Leeson.

Orchestra! (1991) (TV). (1992) – Melvyn Orton. (1993–1998) – Spin (voice). (1993) – Dudley Bristol.

Concerto! Telegraph Media Group Limited – Telegraph.Co.UK. 22 March 2002. Retrieved 23 April 2016. ^.

The Estate of Dudley Moore - DudleyMoore.com. Retrieved 24 April 2016. The Independent.

3 December 1996. From the original on 22 August 2017. Retrieved 28 May 2014. Humphrey Carpenter That Was Satire That Was, pp. 122–23; Tynan's review is extensively quoted. ^.

Patrick Kevin Day, Los Angeles Times - Projects.LATimes.com. 23 February 2010. Retrieved 23 April 2016. Thomas, Terry; Daum, Terry (1990). Robson Books. Retrieved 1 March 2017.

Chilton. John., 2004, Who's Who of British Jazz, London: Continuum, p.240. Retrieved 23 April 2016. ^.

28 March 2002. Retrieved 25 August 2011. ^ Daniel Jeffreys (17 June 1996). The Independent. Retrieved 23 April 2016.

^. 30 September 1999. Retrieved 29 March 2010. Retrieved 24 April 2016. Julian James, Monster lists - Lists.MonstersAndCritics.com. Archived from on 12 June 2016. Retrieved 24 April 2016.

Roberts, David (2006). London: Guinness World Records Limited. P. 119.Further reading., From Fringe to Flying Circus: Celebrating a Unique Generation of Comedy 1960–1980, Eyre Methuen Ltd, 1980. Alexander Games (1999).

Pete & Dud: An Illustrated Biography. Andre Deutsch. Peter Cook and Dudley Moore (2003). Dud and Pete The Dagenham Dialogues. Methuen. and (2006). Methuen Drama.

Dudley Moore: An Intimate Portrait, Rena Fruchter, Ebury Press, 2004,. Julian Upton, Fallen Stars, Headpress, 2004. William Cook (2014). One Leg Too Few: The Adventures of Peter Cook and Dudley Moore. Arrow.External links Wikiquote has quotations related to.

– The Best of the Stan Freberg Shows (1959). – (1960). (producer) – FDR Speaks (1961). – Humor in Music (1962). – The Story-Teller: A Session With Charles Laughton (1963). (playwright) – (1964). – BBC Tribute to John F.

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Kennedy (1965). (producer) – John F. Kennedy - As We Remember Him (1966). – Edward R. Kicha vayasu 16 mp3 song download. Murrow - A Reporter Remembers, Vol.

I The War Years (1967). – Gallant Men (1968). – Lonesome Cities (1969). & – We Love You Call Collect (1970). – Why I Oppose the War in Vietnam (1971). – (1972).

(producer) – Lenny performed by the original Broadway cast (1973). – (1974). and – Good Evening (1975). – (1976)., and - Great American Documents (1977).

– (1978). – Original Motion Picture Soundtrack (1979). – Ages of Man - Readings From (1980)1981−2000. –, Gertrude Stein, Gertrude Stein (1981). – (1982).

(producer) – - The Movie on Record performed by Various Artists (1983). – (1984). – The Words of Gandhi (1985). (producer) & the original Broadway cast – (1986)., and – Interviews From the Class of '55 Recording Sessions (1987). – (1988). – Speech by Rev. Jesse Jackson (1989).

– It's Always Something (1990). – (1991). – (1992). and Robert O'Keefe – What You Can Do to Avoid AIDS (1993). – (1994).

– Get in the Van (1995). – Phenomenal Woman (1996). – (1997). – Charles Kuralt's Spring (1998). – (1999). – The Autobiography of Martin Luther King Jr., Rick Harris & John Runnette (producers) – (2001)., Jeffrey S.

Thomas, Steven Strassman (engineers) and Elisa Shokoff (producer) – Q: The Autobiography of Quincy Jones (2002). and Charles B. Potter (producer) – /, Nathaniel Kunkel (engineer/mixer) and (producer) – (2003).

and Paul Ruben (producer) – (2004). – (2005).

– (2006). – / and - With Ossie and Ruby (2007). and Jacob Bronstein (producer) – (2008)., and – by (2009). – Always Looking Up (2010). – (2011). – If You Ask Me (And Of Course You Won't) (2012).

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– Society's Child (2013). – (2014). – Diary of a Mad Diva (2015). – (2016). – In Such Good Company: Eleven Years of Laughter, Mayhem, and Fun in the Sandbox (2017).

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– (2018). – Faith: A Journey for All (2019).